Hannah Gadsby (1978-). Australian comedian and writer whose 2018 Netflix special Nanette reshaped the form of stand-up comedy by treating trauma and identity as material that comedy was structurally incapable of resolving — the special functions partly as a critique of comedy itself as a register. Gadsby was identified as autistic and ADHD as an adult and has spoken and written extensively about her cognitive architecture, the late identification, and the relationship between autistic perception and the specific work she does on stage. Nanette and her subsequent specials (Douglas, Something Special) are an unusual example of an artist explicitly using the structural features of her own cognitive architecture as the form of the work — the long monologic build, the resistance to the joke as resolution, the sustained pattern-recognition about her own life — and inviting audiences to recognize that form as itself a contribution. The integration apparatus around her has been Netflix, international touring infrastructure, and the publishing industry. She is one of the clearest contemporary examples of a publicly identified discovery specialist doing both modes of work in public.